Feature and short films of genre cinema, with direct management across festivals, theaters, VOD and platforms — no middlemen. Choose your case and we'll walk you through how we work.
The starting point changes depending on whether your project is a feature or a short film, but the criteria we work with are the same in both cases.
Our team reviews every project in person. No external committee, no automated screening, no volume deals.
We only take on projects that fit Tártaro's line: auteur fantastic cinema and genre horror, whatever their format or origin.
We negotiate festivals, theaters, VOD and platforms ourselves, without middlemen diluting the deal. DCP and subtitling are done in-house; dubbing is coordinated with partner studios.
You'll know which festivals, theaters or platforms carry your film and how its journey is progressing.
Finished or in-development projects. Direct evaluation, theatrical, VOD and physical distribution, with active agreements in the Spanish, American and Latin American markets.
Distribute my feature film 02Festival strategy, managed submissions and journey tracking — with fixed-price outreach kits and more than twenty years of experience in the circuit.
Distribute my short filmYes. Each project is evaluated separately, whatever stage it is at.
It's not our specialty, but we're not closed off to other genres — we work with all kinds of genres.
No. The initial evaluation is free, whether it's a feature or a short film. An agreement is only put in writing once your project joins the catalog (feature films) or enters distribution with one of our plans (short films).
