We evaluate fantastic and horror film projects, in development or completed, for possible inclusion in the catalog.
We represent auteur fantastic cinema, genre horror, and cult pieces from different eras and origins.
Each project is reviewed individually and checked against Tártaro Films' editorial line. We don't take on batches of titles or volume deals.
Who evaluates the projectsProjects are evaluated directly by Omar Parra — no external committee, no automated screening. The same person who reviews your project is the one who decides.
If you think your project fits Tártaro Films' editorial line, we'd love to hear about it.
Three titles from the catalog, with their real festival run and their current platform availability.
We're not a middleman pitching your project to others: we negotiate and manage theatrical, VOD, and physical distribution directly, with active agreements in the Spanish, American, and Latin American markets through our partners.
A festival run builds visibility and prestige before any sale happens.
We negotiate theatrical, VOD, and physical directly — no middlemen diluting the deal.
The journey ends on the platforms and partners where the audience finally finds the film.
We analyze which platforms, theaters, or markets fit your film best before negotiating anything.
We talk to our own contacts at each platform or territory — we don't outsource the negotiation.
We handle DCP and subtitling ourselves. Dubbing is coordinated with our partner studios — in both cases, management and final quality are our responsibility, from start to finish.
You'll know which platforms carry your film and how its distribution is progressing.
No. The initial evaluation has no cost. An agreement is only put in writing if your film joins the catalog.
No. If your film enters distribution, we handle the DCP and subtitling ourselves. Dubbing is coordinated with our partner studios.
It depends on the fit of each title. We currently have active agreements with Prime Video and Filmin, plus physical sale through our partners.
It varies by title and market. We give you an estimated timeline once your project is evaluated, before you sign anything.
That history helps shape the distribution strategy. Tell us about it in the form.
Case by case, based on the title and the territory. Everything is put in writing before you sign, so there are no surprises later.
Feature film distribution is one part of the catalog. Here are the other three.
DCP, subtitling and dubbing, with Departament de Cultura support for Catalan, managed directly by us.
See technical servicesIf the project you want to submit is a short film rather than a feature, this is the route.
See short film distributionFantastic and horror cinema in international distribution. See which titles share a catalog with your film.
See catalogTell us the title, its current status (in development, post-production, or finished), and what your project needs right now.
